DOWNLOAD HIGH QUALITY AEGAN VIDEO SONGS

Download Tamil Movie Aegan Video songs of very high quality using the links given below and post your comments...

1)HEY SALAA

http://rapidshare.com/files/157431472/Movie_00__ellarukkum_friend-eaagan_.avi

2)HEY BABY

http://rapidshare.com/files/157445408/Movie_00__mallika_i_love_you-eaagan_01.avi

NADODI MANNAN, A M.G.R CLASSIC

This is my experiment with 18 lakhs. This was said by MGR in 1958 after stupendous success of the Movie Nadodi Mannan. How humble he is. The movie was a revolutionary in tamil cinema. It had showed the movie world a new way of story telling a new way of film making, a new way of editing, a new way of techniques in double action scenes so on and so forth.

I have taken some of the instances said by MGR in "Yaruku Vetri" way back in 1958, most of writing in video format. MGR's education level is so poor but his writing skills is awesome when I read the Special edition by MGR Pictures. How well he knew and how clear his ideas are for instances the technical side, story side, dialogue side, music side, cinematography side, costume side, editing side and how he knew which actors to do which part etc. MGR is multi faceted that was proved if you watch Nadodi Mannan. We cannot put MGR into a position of mere actor alone.

When he talks about the story part he says that I am not blind sided that Nadodi Mannan does not have any minus points and I am not that stupid, but I can say that it does not have more minus points. See how humbly he uses the words. MGR further goes into how the story was developed in the year 1937-38 he was in the shooting of Maya Machindra, in Calcutta (Kolkatta) one day he went with his friends to watch a Hollywood movie "If I were King" acted by Ronald Colman, one of the scene the Hero says If I become a King ... but MGR did not follow what the dialogues his mind was revolving around the words If I become a King. That is the day when Nadodi Mannan was seeded in his mind, it developed slowly when the time was ripe, MGR went on to produce the movie. Why did he produce then? Because he said it is an experiment so I did not want other producers to loose money if the film fails.

VAIGAI-LIFELINE OF MADURAI

The Vaigai is a river in Madurai,Tamil Nadu state of southern India. The actual name is Vaiyai in Tamil and the name has been referred as vaigai. It originates in the Periyar Plateau of the Western Ghats range, and flows northeast through the Kambam Valley, which lies between the Palni Hills to the north and the Varushanad Hills to the south. The Vattaparai Falls are located on this river. As it rounds the eastern corner of the Varushanad Hills, the river turns southeast, running through the region of Pandya Nadu. Madurai, the largest city in the Pandya Nadu region and its ancient capital, lies on the Vaigai. The river empties into the Palk Strait in Ramanathapuram District. fdf The main tributaries of the river Vaigai are, the river Suruliyaru, the river Mullaiyaaru, the river Varaganadi and the river Manajalaru. All these rivers join with the great Vaigai river nearer to the places around the Vaigai Dam which is situated in Theni district.

Vaigai gets major feed from the Periyar Dam in Kumuli in Kerala. As the Kerala government is refusing to increase the storage level, Vaigai river ends up dry very often. The water never reaches Madurai, let alone flowing into places past Madurai.

The Periyar Dam was built in 1895 by John Pennycuick, who implemented a plan proposed over a century earlier by Pradani Muthirulappa Pillai of Ramnad.

"Greater than the mother bearing child/Greater than the child that is born/Every breath is Periyar/Every word is Periyar/In every place, in all the world/As far as Periyar water flows/Your name will stand-Pennycuick-your name/Though written on water, will always stand".

That is how Anthony Muthu Pillai (1863-1929) had paid tributes in Tamil to John Pennycuick, the engineer who had taken up the "audacious and unprecedented feat of...engineering" for transferring some water from the Periyar river in Travancore State to the Vaigai basin in Madras Presidency. This basin was described by Poet and lyricist Vairamuthu, who hails from this area: "It is a different world. Another planet on the surface of the earth. Ignored by the clouds, cursed by nature and dry land, passed by the Gods with their eyes tightly shut...

IM BACK

Well.....its been some time since my last post coz was busy with other engagements but now im back with my regular posts abt the temple city

DRAVIDIAN ARCHITECTURE

"The temple city of Madurai is situated at a distance of 307 miles south of Madras on the main railway line. This is decidedly the oldest city of South India, truly representing Dravidian culture. European scholars have compared it to Athens of Greece. It was in the past the seat of the Tamil Academy (the Tamil Sangam) .... It is estimated that there are 33 million carvings in the Madurai temple. The temple stands in the centre of the town and main roads run roughly parallel to the four sides. A writer has described the architecture as follows: "The architecture is almost purely Dravidian - its characteristics being the pyramidal towers of colossal height dominating the surrounding landscape for miles around; the rectangular enclosures one within the other like a China box; the use of the flat roof and the entire absence of the arch or dome; delicate sculpture worked in ponderous material, and finally a partiality for long galleries interspersed with sculptured pillars..." (R .K.Das in Temples of Tamil Nadu)

"Gopuram, in South Indian architecture, is the entrance gateway to the Hindu temple enclosure. Relatively small in the earlier period, the gopuras grew in size from the mid-12th century until the colossal gateways came to dominate the temple complex, quite surpassing the main sanctum for architectural elaboration.." (Gopurams - Encyclopaedia Britannica)

"...Tirumulla Nayak commenced a gopura, which, had he lived to complete it, would probably have been the finest edifice of its class in southern India. It measures 174 ft. from north to south, and 107 ft. in depth. The entrance through it is 21 ft. 9 in. wide; and if it be true that its gateposts are 6o ft. (Tripe says 57 ft.) in height, that would have been the height of the opening. It will thus be seen that it was designed on even a larger scale than that at Sri Rangam, and it certainly far surpasses that celebrated edifice in the beauty of its details. Its doorposts alone, whether 57 ft. or 6o ft. in height, are single blocks of granite, carved with the most exquisite scroll patterns of elaborate foliage, and all the other carvings are equally beautiful. Being unfinished, and consequently never consecrated, it has escaped whitewash, and alone, of all the buildings of Madura, its beauties can still be admired in their original perfection. The great temple at Madura ...possesses...all the characteristics of a first-class Dravidian temple, and, as its date is perfectly well known, it forms a landmark of the utmost value in enabling us to fix the relative date of other temples. The sanctuary is said to have been built by Viswanath, the first king of the Nayak dynasty, A.D. 1520, which may possibly be the case; but the temple itself certainly owes all its magnificence to Tirumulla Nayak, A.D. 1622-1657, or to his elder brother, Muttu Virappa, who preceded him, and who built a mantapa, said to be the oldest thing now existing here. The Kalyana mantapa is said to have been built A.D. 1707, and the Tatta Suddhi in 1770.These, however, are insignificant parts compared with those which certainly owe their origin to Tirumulla Nayak..." (Temple of Madura )

TAMIL NADU UNDER SINHALA OCCUPATION(ITS TRUE MATES)

Tamil Nadu was divided into three principal kingdoms, namely, Chera Nadu, Chola Nadu and Pandya Nadu, and ruled by Chera, Chola and Pandya kings. (This arrangement goes back to from the very beginning of written Tamil history.) During the reign of Rajathi Raja Cholan II over Chola Nadu (1163 - 1179), there was a quarrel within the Pandyan royal family for the throne of Pandiya Nadu. Both Parakkirama Pandyan and Kulasekhara Pandyan claimed the throne. Local chieftains within Pandya Nadu (who ruled small principalities subservient to the Pandya throne) took sides and a civil war ensued in Pandya Nadu.

Parakkirama Pandyan held the capital city of Madurai and Kulasekhara Pandyan laid siege to it. Instead of keeping the fight within Pandya Nadu or even seeking help from a fellow Tamil king, Parakkirama Pandyan sought help from the Sinhala king Parakramabahu who was ruling the nearby island of Lanka. (Lanka is today called Sri Lanka. British called it Ceylon when it was part of the British Empire. Tamils used to call it Eelam or Ilankai. In recent years "Tamil Eelam" is used to refer to the historical Tamil homeland in the northern and eastern regions of the island.) Parakramabahu sent an army under the command of a Sinhala general, Lankapura (Lankapuri in Tamil). Before the army reached Pandya Nadu, Kulasekhara Pandyan capture Madurai and killed Parakkirama Pandyan. His son Veera Pandyan fled the capital and went into hiding. By now the Sinhala army landed in Pandya Nadu with orders from King Parakramabahu to defeat Kulasekhara Pandyan and put Veera Pandyan on the throne. The Sinhala army captured the coastal town of Rameshwaram and destroyed much of the famed Hindu temple for Lord Sivan (Lord Siva).

The Sinhala army marched from the coast into the interior of Pandya Nadu. It looted and burned many Tamil villages on the way. In the ensuing battles between the Sinhala army and Kulasekhara Pandyan's army, the latter met with defeat after defeat. Lankapura brought Veera Pandyan from hiding and installed him as the Pandya king in Madurai.

Kulasekhara Pandyan gathered all forces in Padya Nadu loyal to him and waged war again and won a major victory against Lankapura. Veera Pandyan fled Madurai again. Lankan King Parakramabahu sent reinforcements under the command of another Sinhala General, Jagat Vijaya (Jagat Vijayan). The combined forces of Lankapura and Jagat Vijaya defeated Kulasekhara Pandyan. The latter fled to the south (what is now known as Thirunelveli District) and sought help from the Chola King Rajathi Raja Cholan II. Rajathi Rajan sent an army under General Pallavarayan (Pallavarayar) to Pandya Nadu. He fought several battles with the Sinhalese army. Some of the major battles were at Thirukkanapaer, Thondi, Pasipon Amaravathi, Manamerkudi and Manjakudi. In the end Sinhalese army lost and Kulasekhara Pandyan became king of Pandya Nadu.

Furious at reports of the devastation of Pandya Nadu under the Sinhala army (looting and burning of villages, killing of villagers, desecration of the Rameswaram temple), Rajarthiraja Cholan ordered General Pallavarayan to capture and execute General Lankapuri who commanded the Sinhala army in Pandya Nadu. Pallavarayan pursued Lankapuri, captured him and beheaded him. The severed head was hoisted on a spear at the gates of Madurai, the Pandyan capital. Crows and other birds ate the flesh of the head, and the skull remained on display at the gates for months. Thus ended the occupation of Pandya Nadu (about one-third of Tamil Nadu) by the Sinhalese army. [NOTE: The beheading and the public display of the severed head may look uncivilized and barbaric today but it was not an uncommon practice in those days. Today war criminals are executed in private (example: many German and Japanese officers were executed after the Second Word War in the 1940s).]

POTRAMARAI KULAM OR GOLDEN LOTUS TANK

The history of this pond is as old as Madurai itself.When Kumari Kandam sank into the Indian ocean by repeated deluges, the TenMadurai of the Mudhal Sangam age and Kabadapuram of Idai sangam age submerged into the ocean depths. Later down history, the Pandyan Kings were on the look out for a place to build a new capital that will recapture the legendary glory of the sunken Madurai of their forefathers. According to legend , some merchants passing through a forest known as Kadambavanam saw a beautiful lotus pond and a wooden temple on its bank.They were so fascinated by this location that they reported about it to their king Kulasekara Pandian on return. Soon a 'lotus shaped' city was planned with the pond and temple as its center.
The lotus tank evolved into an important city center in the height of the last Pandian era. The area around this pond was the meeting place of the Kadai Sangam - the last of the ancient academy of poets.

The pond is now a source of too many myths or rather jokes…One is about the Tamil sangam… The story goes that the academy judged the worth of any work of literature presented before it by throwing it into this pond. Only those that did not sink were considered worthy of attention. Another joke i heard is that , the pond is the drop of nectare that fell form Shiva's hair and hence the city was named madurapuri (drop of nectare)! Iam pained to see that reputable and learned people of the city saying stuff like this and making a mockery of our great Sangam culture and our basic common sence!